| WOJCIECH
MICHERA
|
Image
- Body - Image |
|
|
|
FRANCOIS
LISSARRAGUE, ALAIN SCHNAPP |
Greek Paintings or
Greece, the
Land
of
Painters
? |
|
|
| CYNTHIA
KLESTINEC |
Vesalius and the Print Culture: Public
Dissection as Intimate Ritual |
|
|
|
JONATHAN SIMON |
Invisible and Visible Technology. The
Anatomist, the Corps and the Public |
|
|
|
ANNA WlECZORKIEWICZ
|
The Baboon-Woman, the Bear-Woman. The History of Viewing Julia Pastrana |
|
|
| WOJCIECH
MICHERA
|
The Complex of Echidna. (The Visual Beast) |
|
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|
JAŚ ELSNER
|
Seeing and Saying: A
Psychoanalytic Account of Ekphrasis
|
|
|
|
KATARZYNA
MURAWSKA-MUTHESIUS |
Cartoon-work |
|
|
| ŁUKASZ
ZAREMBA |
Venice
-
Kinshasa
. Invisible Towns
|
|
|
|
ALEKSANDRA
MELBECHOWSKA-LUTY |
Harmonia mundi. Several
reflections on the Imagery of Stanisław Fijałkowski |
|
|
|
YANNIS
PAPADOPOULOS |
Wild Animals - the Theatre - Gods. Plato's ,,Virtue"
and Aristotle's ,,Golden Mean", or Classical Theses about
Ethics and Politics, or Antitheses about Mimesis |
|
|
| SZYMON
WRÓBEL |
Casting Spells on Representation |
|
|
|
ZBIGNIEW OSIŃSKI
|
The Works of Jerzy Grotowski as a "Research
Subject" |
|
|
| KATARZYNA BARAŃSKA |
Home - the Road to Supraśl |
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|
