| ZBIGNIEW
BENEDYKTOWICZ |
Continuity |
|
|
|
JERZY
S. WASILEWSKI |
The
Travelling Ethnologist. Triste Arctique in a
shamanic costume, under a festival masque |
|
|
|
|
CHOREA
|
|
ANNA
BOGDANOWICZ |
The
Bulgarian “Banica” with Cheese and Spinach. ”Turkish”
Coffee and Vine Leaves, or on the Need for Experiencing the
Different in the Theatrical Quest
|
|
|
|
TOMASZ RODOWICZ
|
Why
Antiquity, or the Condition of
Europe
(The Chorea Theatrical
Society (2004-2006)) |
|
Too
Late |
|
The
“Bulgaria-Balkan Epic” Project |
|
|
|
MARTIN
L. WEST |
Forward
to the past |
|
Man,
Destiny and Death in Indoeuropean Tradition |
|
Ancient
Greek Music: its transmission then and now |
|
|
| KRZYSZTOF
BIELAWSKl |
The
Paeans of
Delphi
– Historical Context |
|
|
| DARIUSZ
KOSIŃSKI |
Clouds |
|
|
| DOROTA
POROWSKA |
Theseus
and the Labyrinth Dances |
|
|
| AGATA
ZYGLEWSKA-DIDUSZKO |
Theseus
in the Labyrinth |
|
|
|
MAŁGORZATA
SZUM |
“The
World on Antiquity” Hode Galatan – Earthfall/Chorea-
First Part of the Trilogy |
|
|
| MAŁGORZATA
JABŁOŃSKA |
The
Dance – the Drama of the Body – the Order of the
World |
|
|
| ELŻBIETA
ROJEK |
A
Few Thoughts On the Training |
|
|
|
MACIEJ RYCHŁY
|
A
Pterodactyl in a Compote – Subjective Notes from
Work
on Classical Music in Chorea |
|
|
|
KRYSTYNA DUNIEC |
The
Body in the Theatre. From Transcendence to Transgression |
|
|
|
EWA KLEKOT, TOMASZ
SZERSZEŃ
|
“Anthropology
is Not Enough to Understand What Happens with Man in the Face
of Beauty ...”. A Record of a Conversation about D.
Freedberg’s “ The Power of Images:
Studies in the History and Theory of Response” |
|
|
|
|
Transformations
of the Category of Aesthetics in the
World of the Multimedia
|
|
ALICJA
KUCZYŃSKA
|
Shall
I Close My Eyes to See? |
|
|
| KATARZYNA
KASIA |
The
Author |
|
|
|
BOGNA
J. OBIDZIŃSKA |
Painting
of the Pre-Raphaelites, or the Composition Which
Can Be Itself |
|
|
| ALICJA
SAWICKA |
The
Director’s Intentions. A Record of Assumptions |
|
|
| PIOTR
SCHOLLENBERGER |
“Transcendental
Narcissism” and the Philosophy of Art |
|
|
|
MACIEJ ROŻALSKI
|
The
“Animation” of the Image as a Method of Creating
a
Theatrical Work |
|
|
|
ALEKSANDRA
HIRSZFELD |
Greenaway
á la “Greenaway” – or an Englishman’s Creative
Universe in a Nutshell
|
|
|
| ALEKSANDRA
KOŚ |
The
Text of the Image |
|
|
| MARCIN
SUTRYK
|
“The
Black Square
” by Kasimir Malevich |
|
|
| DANUTA
WRÓBLEWSKA |
The Story of
hasior |
|
|
| WIESŁAWA
WlERZCHOWSKA |
I
Have Met a Great Artist |
|
|
| ALEKSANDER
JACKOWSKI |
Hasior
Recalled |
|
|
| JERZY PROKOPIUK
|
What
we can do with Gurdjieff? |
|
|
|
ZBIGNIEW OSIŃSKI
|
Contribution
to the Reception of Gurdjieff |
|
|
|
JACEK DOBROWOLSKI |
„Guru
Gurdjieff" |
|
|
| MIKOŁAJ
JEWRIEINOW
|
Towards
the Philosophy of the Theatre |
|
|
| JULIA
HOLEWIŃSKA |
A
Pearl from an Old Curiosity Shop |
