DARIUSZ
CZAJA |
Leiris.
Outline
|
|
|
TOMASZ SZERSZEÑ
|
Michel Leiris User’s Guide |
|
|
MICHEL LEIRIS
|
My Name is Michel Leiris, I Have Just Turned Thirty Four |
|
|
MICHEL LEIRIS |
„...Reusement!”
|
|
|
MICHEL LEIRIS
|
Le Sacré dans la vie quotidienne |
|
|
MICHEL LEIRIS |
The Soul
|
|
|
MA£GORZATA BARANOWSKA |
The Soul
|
|
|
MICHEL LEIRIS
|
Journal 1922-1989 (fragments) |
|
|
JAMES CLIFFORD
|
The Tropological Realism of Michel Leiris |
|
|
DENIS HOLLIER
|
The Holofernes Headline (Notes about Judith) |
|
|
DARIUSZ CZAJA |
Judith’s Cut: The Excesses of Exegesis
|
|
|
PHILIPPE LEJEUNE |
Reading Leiris. Autobiography and Language
|
|
|
MICHEL LEIRIS |
L’Afrique fantôme
|
|
|
TOMASZ SZERSZEÑ |
From
Dakar
to
Djibouti
, from Afrique to fantôme...
|
|
|
MICHEL LEIRIS |
Voyageur et son ombre
|
|
|
RAYMOND ROUSSEL
|
African Fauna |
|
|
OLGA STANIS£AWSKA |
At the Crossroads of Views. Poland-Europe-Africa
|
|
|
GEORGES BALANDIER, CATHERINE COQUERY–VIDROVITCH,
PIERRE HALEN, ELIKIA M’BOKOLO, SILVÈRE MONOD, JEAN
OMASOMBO-TSCHONDA
|
Joseph Conrad and the « Darkness » of
Central Africa - a Record of a Discussion
|
|
|
JAN GONDOWICZ
|
The Flavour of Man |
|
|
S£AWOMIR SIKORA |
Nostalgia Realised
|
|
|
MICHEL LEIRIS |
Théâtre joué et théâtre vécu dans le culte de zâr
|
|
|
FRANCIS BACON, MICHEL LEIRIS
|
About Oneself / To Each Other |
|
|
MICHEL LEIRIS
|
Francis Bacon face et profil |
|
|
DARIUSZ CZAJA
|
Francis Bacon: Traces of a Catastrophe |
|
|
MICHEL LEIRIS
|
Alberto Giacometti |
|
|
MAREK KÊDZIERSKI |
Giacometti before Giacometti
|
|
|
MICHEL LEIRIS |
Le Miroir de
la Tauromachie
(Selected Fragments)
|
|
|
MICHEL LEIRIS
|
Rafaelillo, 9 octobre, Nîmes |
|
|
LUDWIK STOMMA |
Anthropologist and the Corrida
|
|
|
JOSÉ ORTEGA Y GASSET |
Sketch of an Epilogue for Domingo Ortega
|
|
|
JEAN CLAIR
|
From the Corrida to the Crucifixion |
|
|
JOSÉ BERGAMIN |
The Silent Music of the Corrida
|
|
|
GEORGES DIDI-HUBERMAN |
Dancer of Loneliness
|
|
|
MANUEL DELGADO RUIZ |
The Leiris Tauromachy as Embodied by Us
|
|
|
MAGDALENA
BARBARUK |
Toreros
Die Young. The Corrida in Films by Pedro Almodóvar
|
|
|
JAN GONDOWICZ |
Leiris within the Range of the Alchemy of the Word |
|
|
MICHEL LEIRIS |
Sésame
|
|
|
MICHEL LEIRIS |
Conception et réalité chez Raymond Roussel
|
|
|
DARIUSZ CZAJA
|
Dakar
|
|
|
ANDRZEJ SOSNOWSKI |
Notes on How to Perform Opera
|
|
|
MICHEL LEIRIS
|
Turandot |
|
|
JEAN JAMIN |
Reticence: Leiris, Lévi-Strauss and the Opera
|
|
|
TOMASZ CYZ
|
Turandot or Liù after Pucccini |
|
|
TOMASZ SZERSZEÑ |
„Documents” 1929-1930
|
|
|
DENIS HOLLIER |
The Question of Lay Ethnography (The Enthropological Wild
Card) |
|
|
KRZYSZTOF
RUTKOWSKI
|
The
Toe |
|
|
KRZYSZTOF
RUTKOWSKI
|
The
Ear |
|
|
JULIA HOLEWIÑSKA
|
Lens under a Mask. On the Theatrical Aspect of Photography by
Claude Cahun |
|
|
MA£GORZATA BARANOWSKA
|
Leiris and Nerval |
|
|
KATARZYNA KANIOWSKA |
Leiris and Ethnography
|
|
|
MICHEL LEIRIS |
„You’re not wrong when you say that I am the only Surrealist who became an ethnographer” (Fragments of interview
with Jean Jamin and Sally Price)
|
|
|
GIORGIO AGAMBEN
|
Aby Warburg and „Anonymous Science” (fragments) |
|
|
MICHA£ RYDLEWSKI |
Appreciated Heritage, or Ethnographic Surrealism Today
|
|
|
LUDWIK
STOMMA
|
Tradition |