|
ZBIGNIEW
BENEDYKTOWICZ
|
The
Province |
|
|
CZESŁAW
ROBOTYCKI |
The “Province” from an Anthropological Point of
View. A
Reflection from the Perspective of Cultural Communication
Dilemmas |
|
|
ZBIGNIEW
BENEDYKTOWICZ |
“Coming Back Home. The Italian Experience of
Tarkovski and
Kantor” |
|
|
DARIUSZ
CZAJA |
The
Paradox of the Province |
|
|
LESZEK
TYBOŃ |
Returns |
|
|
BOGDAN
BIAŁEK |
The Province – between the Backwater and the Sticks.
The Confessions of a Province
Dweller |
|
|
WIESŁAW
SZPILKA |
My
Province |
|
FILIP
CHODZEWICZ, MAŁGORZATA DZIEWULSKA, PIOTR KŁOCZOWSKI,
AGNIESZKA MORAWIŃSKA, JANUSZ PALIKOT, MARIA STANGRET-KANTOR,
ANDRZEJ WAJDA, NATALIA ZARZECKA |
Umarła klasa (The Dead Class) by
Tadeusz Kantor
and Kadysz
(Kaddish) by Jan Kott
|
|
|
ANDRZEJ
WAJDA |
I
was Tadeusz Kantor’s assistant
|
|
|
NATALIA
ZARZECKA |
Towards
Florence. The Discovery of Traces. Tadeusz
Kantor and the Cricot 2 Theatre
Abroad 1968-1980 |
|
|
ANNA
KRÓLICA |
The Actor’s Bodily Expression in the Tadeusz Kantor
Theatre of Death in the Perspective
of Theatrical Dance |
|
|
JOANNA
JOPEK |
The
Returns of Odysseus |
|
MAŁGORZATA
SZCZUREK |
Andrzej
Wajda. Ethnographic
Remnants |
|
|
ANDRZEJ
WAJDA |
Ethnographic
Remnants |
|
|
BOGDANA
PILICHOWSKA |
The
Ethnographic Notes by Andrzej Wajda |
|
|
BOGDANA
PILICHOWSKA |
Andrzej
Wajda – Topics He Was Advised to Tackle. 1958–89 |
|
|
MICHALINA
LUBASZEWSKA |
Small space cinema as an anthropological and
mythological place. Literary and film images
as the anthropological testimony. |
|
|
ANTONI
KROH |
Working
Intelligentsia |
|
|
ANTONI
KROH |
Well-born |
|
|
MAŁGORZATA
OMILANOWSKA |
The Marian Sanctuary in Lichen: Architecture and Art as
an
Instrument of Historical, Religious and National
Identification in Post-communist
Poland
|
|
|
MIKOŁAJ
JEWRIEINOW |
The
Theatralisation of Life |
|
|
KATARZYNA
OSIŃSKA |
The Evolution of Soviet Mass-scale Spectacles (from
1917 to the
1930s) |
|
|
KRZYSZTOF
RUTKOWSKI |
Anthropogenesis
and a Tick |
|
|
WIESŁAW
SZPILKA |
Poor
Ethnography |
|
|
SŁAWOMIR
SIKORA |
From
the Viewpoint of a Ghanean Photographer |