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TOMASZ SZERSZEŃ |
Aby Warburg, Our
Neighbour |
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ANDRZEJ
TUROWSKI |
History of Art in an Age
of Madness |
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KRZYSZTOF
RUTKOWSKI |
Warburg and the Snake |
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ABY WARBURG |
Seismographies
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ABY WARBURG |
Burckhardt and Nietzsche |
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TOMASZ SZERSZEŃ |
Demons of War according
to Warburg. ‘Kriegskartothek’ |
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RYSZARD KASPEROWICZ |
The Image in the Conception by Aby Warburg |
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ABY WARBURG |
Images from the Region of the Pueblo Indians of North America |
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KATIA MAZZUCCO |
Bilder, Reise, Schlangenritual... |
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EWA KLEKOT |
Narratives on a certain voyage |
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ULRICH RAULFF |
The Seven Skins of the Snake. Oraibi, Kreuzlingen and Back:
Stations on a Journey into Light |
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DAVID FREEDBERG |
Warburg’s Mask. A Study in Idolatry |
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BENEDETTA CESTELLI GUIDI |
Aby Warburg and Franz Boas: Two Letters from the Warburg
Archive. Correspondence between Franz Boas and Aby Warburg
(1924-25) |
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GOSHKA MACUGA, JULIÁN GASTELO |
Snake Society |
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MONIKA SZEWCZYK |
Recorded Conversation with Goshka Macuga |
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LUDWIG BINSWANGER |
Letter to Sigismund Freud |
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DAVIDE STIMILLI |
Warburg’s Tincture |
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CHANTAL MARAZIA |
Ludwig Binswanger and the Ritual of Healing |
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JOSEPH LEO KOERNER |
Lecture as Rite de Passage |
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ABY WARBURG |
‘Mnemosyne’ Atlas. Introduction |
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ABY WARBURG |
Manet’s ‘Déjeuner sur l'Herbe’... |
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KATIA MAZZUCCO |
‘Mnemosyne’: Bilderdemonstration, Bilderreihen, Bilderatlas... |
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GEORGES DIDI-HUBERMAN |
‘Mnemosyne’ Atlas as a Montage |
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GIORGIO AGAMBEN |
Aby Warburg and the Birth of the Cinema |
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PHILIPPE-ALAIN MICHAUD |
Crossing the Frontiers: ‘Mnemosyne’ – between Art History and
Cinema |
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ANDRZEJ LEŚNIAK |
Introduction to a Political Analysis of the ‘Mnemosyne Atlas’ by
Aby Warburg |
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PAWEŁ MOŚCICKI |
Seismography of a Breakthrough. Revolutionary Gestures as
Pathosformeln |
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MATTHEW RAMPLEY |
Archives of Memory: Walter Benjamin’s ‘Arcades Project’ and Aby
Warburg’s ‘Mnemosyne’ AtlasBENJAMIN BUCHLOH Gerhard
Richter’s ‘Atlas’: The Anomic Archive |
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MARTA
DZIEWAŃSKA |
Exercise in Imagination.
‘Atlas. How to Carry World on One’s
Back?’ by Georges Didi-Huberman at the Museo Reina Sofia in
Madrid |
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GIOVANNI CARERI |
Aby Warburg. Ritual, Pathosformeln and the Intermediate Form
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EMILIA OLECHNOWICZ |
Nachleben der Antike.
The Medici Intermezza from 1589 |
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JACEK JAŹWIERSKI |
Expression and the Tradition of Artistic Borrowings: Warburg –
Gombrich – Reynolds |
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Acknowledgements. Credits |
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WIESŁAW JUSZCZAK |
Odysseus’ Thalamos |
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MAŁGORZATA SOBIERAJ |
Like Two Mirrors... |
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JOANNA M. SOSNOWSKA |
The
Feet of Barbara Radziwiłł |
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JACEK DOBROWOLSKI |
The Symbolic of the Willow as the Tree of Life and Death in
Poland within the Context of the Cultures of Europe, the
Mediterranean and Asia |
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RENATA ROGOZIŃSKA |
Treij. On Paintings by Jerzy Ćwiertnia (1928–2009) |
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MONIKA MILEWSKA |
Fascism and Its Roman Myth |
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KATARZYNA PROT |
From the Asylum and the Madhouse to One’s Own Home |
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PRZEMYSŁAW STROŻEK |
Fotodinamismo 100! Bragaglia, Boccioni, Bergson and Problems of
Futuristic Photography |
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KRZYSZTOF LIPKA |
The Audible Landscape: Sphinxes. Significant Motifs as an
Attempt at a Semantisation of Musical Structure |
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IRENEUSZ GUSZPIT |
Apocalypsis cum figuris – Life after Life |
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MAŁGORZATA DZIEWULSKA, ZBIGNIEW BENEDYKTOWICZ |
Grotowski – Flaszen. A Registered Conversation |
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The History of a Single
Painting |
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ZBIGNIEW
BENEDYKTOWICZ |
The History of a Single
Painting – a Conversation witch Piotr Borowski |
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IWONA LUBA |
The Australian Landscape, 1923 by Stanisław Ignacy Witkiewicz |
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MAGDALENA KRASZEWSKA |
About the Australian Landscape, 1923, dr Kraszewski and the Home
in Zakopane |
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KUBA SZPILKA |
Constructing Identity – Zakopiańczycy |
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