2013 (LXVII)

nr 3 (302)

Contents:

English summaries

W.J.T. MITCHELL, Iconoclasm in the Age of “Biocybernetical Reproduction”

 ŁUKASZ ZAREMBA, Iconoclasts and Iconophiles

JAŚ ELSNER, Iconoclasm as Discourse: from Antiquity to Byzantium

TOMASZ SWOBODA, Offending the Image

ROMA SENDYKA, Spolia (about Images on/in Images)

JOSEPH KOERNER, The Icon as Iconoclash

WOJCIECH MICHERA, “On This Side of the Eyelashes”. Non-place, Non-person, Photo-graphy

SZYMON WRÓBEL, Roland Barthes Reads The Map and the Territory by Michel Houellebecq

HITO STEYERL, In Defence of the Poor Image

MAGDA SZCZEŚNIAK, Iconoclastic Looks

KATARZYNA BOJARSKA, Art That Hurts? The Limits of the Critical Gesture and Painful Memory (and Censorship)

MATEUSZ SALWA, Outrage. How to Respond to Offensive Images?

KAMIL KOPANIA, Intimate Relations with Little Iza. The Attack against the Arsenal Gallery in Białystok in 2001-2005

GRIDLEY MCKIM–SMITH, The Rhetoric of Rape, the Language of Vandalism

PAULINA KWIATKOWSKA, Lucky to Be Alive, or How to Survive in the World/in an Image

AGATA ZBOROWSKA, Clothes that awakened images of horror

AGNIESZKA PAJĄCZKOWSKA, Good, bad, and “new” photographs of Shoah

AGATA SIERBIŃSKA, The CIA Can Only Watch

ANNA MIKOŁEJKO, Peintres de l’âme

JACEK ŚWIDZIŃSKI, Timing: the Drive of Comic Book Images

VIVIAN C. SOBCHACK, No Lies: the Direct Cinema as Rape

MARCIN NAPIÓRKOWSKI, The Odyssey of Guernica. The Image, Power, Death, and Historical Memory

BORIS USPIENSKI, Time in The Nose by Gogol (The Nose by Ethnographer)