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2013 (LXVII) |
Contents: |
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DARIUSZ CZAJA, Songs are sung. Jarosław Experience MACIEJ KAZIŃSKI, Jarosław Passions. ”Song of Our Roots” PIOTR KAPLITA, Jarosław. Town on the Borderland
Music. Culture. Memory BŁAŻEJ MATUSIAK OP, Musical Temple ŁUKASZ TISCHNER, Excarnation. A Certain Dilemma of Contemporaneity ANNA CHĘĆKA-GOTKOWICZ, Pure Hearing: Experiencing Music in Reflections by Pascal Quignard PASCAL QUIGNARD, La dernière leçon de musique de Tch’eng Lien JORDI SAVALL, Music, Memory, Tears DARIUSZ CZAJA, The Savall Library
Gregorian chant and liturgy MARCEL PERES, Le chant vieux romain: nouveaux horizons pour la compréhension du chant grégorien et des répertoires des Eglises orientales MIROSŁAW KOCUR, The Monk as a Performer BARTOSZ IZBICKI, To Play Strauss Like in Vienna, to Sing the Chant Like in Rome MARCEL PÉRÈS, Was the Disappearance of Cantors the End of Liturgical Chants? MARCIN BORNUS-SZCZYCIŃSKI, Why Is the Church Ceasing to Sing? MARCEL PÉRÈS, The Art of Cantillation at the Sources of a Transmission of Faith BJÖRN SCHMELZER, Missa Caput: Two Years After a Recording That Brought Us to Jarosław
Spirit of Byzantium EGON WELLESZ, The Origin of Byzantine Music MACIEJ KAZIŃSKI, The Voices of Byzantium. Postscriptum LYCOURGOS ANGELOPOULOS, Byzantine Liturgy MICHAŁ KLINGER, The Role of Liturgy in the Russian Orthodox Church. Hermeneutic Comments and Those Obtained from Experience rev. HENRYK PAPROCKI, Theology of Sacral Music MARCIN ABIJSKI, Akathist-Music ADRIAN SARBU, Panikhida and a Return to the Sources
The Psalms of David DARIUSZ CZAJA, Incarnated Voice. Glossa on the Margin of the Psalms MARCIN SZCZYCIŃSKI, Take up a song and strike the drum! TOMASZ DOBRZAŃSKI, Salvatore Rossi and Hebrew Pslams VLADIMIR IVANOFF, Ensemble Sarband and Moslem Psalms
Medium aevum JOANNA BENEDYKTOWICZ, Quasi plaustra per gradus. A Carriage Rumbling Down Stairs or on Gregorian Chants among the Franks BENJAMIN BAGBY, Six Strings, Five Fingers, One Voice. Modus and Text in Early Mediaeval Music BENJAMIN BAGBY, Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed “Singer of Tales” JOHN DOWLAND, The Second Booke of Songes or Ayres
Dowland’s Melancholies J.D. to The School of Night FRANK PSCHICHHOLZ, Deciphering Second Booke of Songes or Ayres (1600) by John Dowland JOHN DOWLAND, Second Booke of Songes or Ayres
Passions of the South FRANCESCO ZIMEI, Planctus from Montecassino: from Intonation to Staging ANTONELLO RICCI, ROBERTA TUCCI, Paths of Passion Songs GIANNI DE SANTIS, The Chant as Redemption LUIGI CHIRIATTI, Passion Songs: I passiùna tu Cristù and Lu Santu Lazzaru
Songs of innocence, songs of experience On Traditional Chants and Folk Piety, a conversation with ADAM STRUG TADEUSZ NOWAK, At the Top of Voice. Songs by Itinerant Performers MARIA BIKONT, In Search of the Traditional Chant. My Expeditions to Ukraine, Russia and Belarus KATARZYNA JACKOWSKA-ENEMUO, On a Magnificent Vessel and Fourth Frenzy JUSTYNA PIERNIK, “Kazachiy Krug” MARCEL PÉRÈS, Singing Brotherhood from Andavías MARCEL PÉRÈS, Pigna: A Foundation for Cultivating Live Musicology PIOTR DAHLIG, Two Looks at Folk Music. Emotions and Facts |
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