“On One Side, on the Other Side” – the Paradoxes of Communication |
Wojciech Michera | “D’un côté ou de l’autre”. The Recto/Verso Relationship in the Works of Marcel Proust | 3 |
Diego Scalco | The Phantom of Doubling as a Cognitive Paradox, or the Question of the World in the Works of Fernando Pessoa | 21 |
Szymon Wróbel | The Up-teka of Victtoria Plaza. Towards the Pharmakon of the Painting | 30 |
Jerzy Franczak | Communication and Co-immunisation. On Anéantir by Michel Houellebecq | 42 |
Adam Lipszyc | In the Mirror of Migration, or I on the One Side and I on the Other Side of a Truly Terrifying Stretch of Water | 50 |
Eric Berlatsky | Lost in the Gutter. Within and Between Frames in Narrative and Narrative Theory | 57 |
Cezary Wąs | Origins and Content of the Concept of Space in Bernard Tschumi’s Architectural Theories | 73 |
Paweł Dybel | The “Side” of Technique and the “Side” of Art in Martin Heidegger’s Late Thought | 85 |
Andrzej Leśniak | The Posthumanist Breakup. Modernity and Its Alternative in Writings by Emanuele Coccia | 94 |
Andrzej Leder | Topologies of the Subject. Several Conclusions Stemming from Lacan’s Definition of the Subject and the Signifier | 100 |
Andrzej Zaporowski | Between Culture and the Cultural | 106 |
Sjón | Ha-Ha. An Annex to a Draughtsman’s Contract | 115 |
Marta Smolińska | Unkempt Communication. Hairy Il/Legibility as an Embodied and Affective Strategy of Contemporary Art | 124 |
Marta Leśniakowska | Stone, Ivy, and the Senses. The Garden as a Performance and a Thing Phenomenological View | 141 |
Janusz Bohdziewicz | The Game of Life. Five Studies on the Anthropology of Communication | 148 |
Witold Kanicki | Between the Object and the Image – Polaroids in an Inter-cultural Dialogue | 156 |
Sebastian Porzuczek | Transmissions from the Outer Topographies of Violence. Cinematic Representations of Drone Warfare and the Liminal Conceptualization of Distance | 169 |
Mariia Varlygina | Rose of Jericho | 177 |
Bogdan Zemanek | A Thousand Words. A Photograph from Cyprian Kamil Norwid’s Album Orbis and Its Anthropological Contexts | 185 |
Jacek Dehnel | Fotoplastikon II | 194 |
In the Footsteps of Walter Benjamin |
Michael D. Jackson | In the Footsteps of Walter Benjamin | 205 |
Sławomir Sikora | Several Comments from a Translator | 215 |
Psychobodies, not Figures. On Maria Jarema |
Agnieszka Dauksza | Maria Jarema and the Avant-garde Story of Defeat | 217 |
Luiza Nader | War. Maria Jarema’s Response to Cruelty | 225 |
Tomasz Szerszeń | Towards Formless: the Jarema–Piasecki Constellation | 232 |
Iconographies of Protest |
Aleksandra Sołtysik | Un/Stoppable Time. Protest Photography and Experience Based on a Memory Movement | 239 |
Anna Wiszniewska | “It Isn’t Your Thing…”. Jewellery as a Form of Protest at the Time of the All-Poland Women’s Strike in 2016–2021 | 251 |
Michalina Lubaszewska | The Peaceful Partisan. On Banksy’s Creative Strategies | 259 |
Justyna Chmielewska | The Art of Repair. About Several Kader Attia’s Projects | 265 |
Marcin Kula | A Quiet, Respectable Town? | 273 |