Issue 2025/2 (349) - Imagined Geography / Beckett in Brazil / Between.Pomiędzy / New Media
| Imagined Geography: Ireland | ||
| Tomasz Wiśniewski | Imagined Geography: Ireland | 3 |
| Paula Meehan | Poems | 4 |
| Patrycja Zielke | Paula Meehan | 8 |
| David Malcolm | Time and Space in ‘The Solace of Artemis’ by Paula Meehan | 11 |
| Maria Fengler | Mise Éire: Revisions of the Myth of Ireland in Modern Irish Poetry | 18 |
| Agnieszka Żukowska | Contemporary Art In Dialogue with the Poetry of Seamus Heaney: T.P. Flanagan and Arno Kramer | 27 |
| Mirosława Modrzewska | The Romantic Poetics of ‘Irish Melodies’ by Thomas Moore | 34 |
| Barbara Świąder-Puchowska | In Ireland, or in Poland? Theatre and Drama on Polish Stages in the 1990s | 40 |
| Marta Maciejewska | The Cultural Role of the Irish Folklore Trilogy by Cartoon Saloon in the Context of the History of Irish Animation | 47 |
| Paweł Biliński | From ‘Poitín’ to ‘A Quiet Girl’ – Three Phases of the History of the Irish-language Feature Film | 55 |
| Karolina Kosińska | Spectacular Boys and Quiet Girls | 63 |
| Antoni Michnik | Aisteach – a Potential Avantgarde | 75 |
| Maciej Rożalski | The Poetics of Remnants | 87 |
| Beckett in Brazil | ||
| Sjón | To Entangle Oneself, to Become Ourselves | 99 |
| Cafira Zoé | Waiting for Godot at the End of the World | 102 |
| Teatr Oficina | Terreiro Eletrônico | 103 |
| Cafira Zoé | The Park of Bixiga. Drinking Water, Camará | 104 |
| Uniwersytet Antropofagiczny | Fifth Set of Teeth | 106 |
| * | Dedication | 107 |
| Valmir Santos | Zé Celso Stages in Rio a Classical Play by Beckett | 108 |
| Sidnei Barreto Nogueira, Camila Mota, Cafira Zoé, Kelly Campelo, Igor Marotti | Waiting for Godot and Exú | 110 |
| Casé Tupinambá, Carmen Silva, Camila Mota, Cafira Zoé, Igor Marotti | Godot, When You Come I Shall Not Be Here Any Longer! | 116 |
| Tomasz Wiśniewski | Beckett in Brazil | 120 |
| Małgorzata Jarmułowicz | The Indonesian Dead Body Theatre | 122 |
| Between.Pomiędzy: Practices and Strategies of Management within the Domain of the Performative Arts | ||
| Martin Blaszk, Katarzyna Kręglewska | Robert Laycock’s Delegated Performances at Between.Pomiędzy Dispersed Festival 2024 | 130 |
| Katarzyna Pastuszak | Time as a Loop. Notes From Work on the Performative Project ‘LoopCurrent’ | 141 |
| Zofia Smolarska | Institutional Forms of Support for Crafts in the Theatre | 149 |
| Monika Rosińska | Between the Hand and the World: Craft as Poiesis | 162 |
| Perspectives of New Media | ||
| Anna Maj | Genesis, Contexts, and Horizons of Perspectives of New Media. On the Idea of Establishing the New Media Art, Culture and Technology Research Centre | 170 |
| Derrick De Kerckhove | Art in the Quantum Era | 173 |
| Anna Maj | Silesian Multimedia School – Between Theory and Experiment. From Video Art to AI Art | 184 |
| Marian Oslislo | Carbon Papers | 196 |
| Piotr Celiński | Body, Subject, and Biomedia Interactions | 201 |
| Piotr Zawojski | Cultural and Philosophical Contexts of the Expansion of Artificial Intelligence | 209 |
| Jan Stasieńko, Agnieszka Dytman-Stasieńko | Between Posthuman Critique of the Body and AI Art – the Oeuvre of Adam Pizurny | 217 |
| Anna Oleńska | The Emperor’s Body and Shadow. Hybrid and Phantom Images of Napoleon During and After His Lifetime | 225 |
2011, nr 1 (292)
2023, nr 4 (343)
2020, nr 3 (330)
1947, nr 1-2 (1-2)
2007, nr 1 (276)
1999, nr 4 (247)
2025, nr 1 (348)
2024, nr 1-2 (344-345)
2020, nr 4 (331)
1998, nr 2 (241)
2006, nr 2 (273)
1995, nr 2 (0)
2007, nr 2 (277)
2006, nr 1 (272)
2022, nr 4 (339)
2008, nr 2 (281)
2015, nr 3 (310)
2012, nr 3-4 (298-299)
2011, nr 2-3 (293-294)
2002, nr 3-4 (258-259)
2010, nr 4 (291)
2007, nr 3-4 (278-279)
2000, nr 1-4 (148-251)
2018, nr 4 (323)
2010, nr 2-3 (289-290)
1995, nr 3-4 (0)
2016, nr 3-4 (314-315)
2005, nr 2 (269)
1996, nr 1-2 (232-233)
2021, nr 1-2 (332-333)
1997, nr 3-4 (238-239)
2003, nr 3-4 (262-263)
2021, nr 4 (335)
2013, nr 4 (303)
2008, nr 1 (280)
2022, nr 1-2 (336-337)
2001, nr 1-4 (252-255)
2024, nr 3 (346)
2014, nr 2 (305)
2009, nr 1-2 (284-285)
2009, nr 3 (286)
2023, nr 1-2 (340-341)
2021, nr 3 (334)
2012, nr 1-2 (296-297)
2017, nr 4 (319)
1987, nr 1-4 (0)
2005, nr 4 (271)
2017, nr 1-2 (316-317)
2019, nr 4 (327)
2013, nr 3 (302)
2013, nr 1 (300)
2017, nr 3 (318)
2014, nr 3-4 (306-307)
2002, nr 1-2 (256-257)
2019, nr 3 (326)
1999, nr 1-2 (244-245)
2018, nr 1-2 (320–321)
2023, nr 3 (342)
2015, nr 4 (311)
2016, nr 2 (313)
2020, nr 1-2 (328-329)
2011, nr 4 (295)
2016, nr 1 (312)
2005, nr 1 (268)
2010, nr 1 (288)
1996, nr 3-4 (234-235)
1999, nr 3 (246)
2013, nr 2 (301)
1997, nr 1-2 (236-237)
2015, nr 1-2 (308-309)
1995, nr 1 (0)
2018, nr 3 (322)
2004, nr 3-4 (266-267)
2025, nr 2 (349)
2003, nr 1-2 (260-261)
2014, nr 1 (304)
2006, nr 3-4 (274-275)
2024, nr 4 (347)
2022, nr 3 (338)
1998, nr 1 (240)
1998, nr 3-4 (242-243)
2019, nr 1-2 (324-325)
2008, nr 3-4 (282-283)
2009, nr 4 (287)
2014, nr 0 (numer spec)
2005, nr 3 (270)
2004, nr 1-2 (264-265)